Showing posts with label Thom Lemmons. Show all posts
Showing posts with label Thom Lemmons. Show all posts

Monday, June 20, 2016

Present Imperfect: Happy Fathers Day 2016

To all my fellow fathers, on this Fathers Day, 2016... Well, it is that time of year once again: we are seeing posts like this on Facebook, and we are thinking of our fathers, living and deceased. If we are

lucky, our children are thinking of us. Maybe they have posted something here, or maybe they haven't.
Maybe we got a card, a tie, a thoughtful text message or voice mail, or maybe we didn't. Those of us of a certain age are, if we are lucky, contemplating our children--our wishes for them, our hopes and dreams for them, our experiences with them...

Those of you like me, who have made mistakes, are perhaps thinking of those times when you could have been there and weren't, or when you tried to be and couldn't. I'm thinking of several times when I
wish I had been more patient, had helped with one more math problem, had tossed the football for an extra fifteen minutes, or had played one more game of Candyland Bingo.


But here's the thing, guys; we did what we thought was the best we could do at the time, just like our dads did. We didn't do any of it perfectly, and neither did they. Those of you reading this whose kids are still young enough to be at home and under your care won't do it perfectly, either. You may resolve in your heart to do better, and you probably will. But you will invent new mistakes, all your own. Because we aren't flawless--none of us. The generation we are raising as children--or, in my case, the
generation we have raised--also won't be flawless. They, too, will invent mistakes all their own.

And it's okay. Why? 

Because of love. Because in spite of my mistakes, I have had the chance to love my kids and do the best I could for and with them, and because they will do the same for their kids. We aren't perfect, but love is. And to the extent that we were loved--however imperfectly--and passed along that love to our kids--however imperfectly--we became a little more perfect.

Happy Fathers Day, guys. Take a minute to reflect, take a sip of whatever beverage you prefer, and let yourself off the hook, just a little, if you need to. It's okay. You did your best, and you are doing your
best. Hang in there. And next year about this time, let's touch base and see how it's going.

Thursday, March 12, 2015

On Jabez, a New Ebook, and Offended Sensibilities

It appears that before long, I will be releasing the third ebook under my little cottage-industry imprint, Homing Pigeon Publishing. That title will be Jabez: A Novel

Funny thing about this book: I wrote it at the suggestion--actually, more like the urging--of my publisher at the time, which also happened to be the publisher for the wildly successful Prayer of Jabez by Bruce Wilkinson. Bruce's book has been lauded and panned, usually based on the lauder's enthusiasm for the perceived blessings generated by Wilkinson's proposed program of praying the brief prayer (found in 1 Chronicles 4:10) regularly, or else the panner's dim view of the mechanistic, genie-in-a-bottle theology some have perceived as the book's main teaching. Along the way, it sold over nine million copies worldwide, spawning its own industry, complete with a generous supply of derivative products.

The thing is, I don't hold with the so-called prosperity gospel. Whether my publisher realized it or not, I had no intention of writing a novel about Jabez that preached such a doctrine. And honestly, when you're writing a novel--even a really short one, like this--on a person in the Bible about whom there are precisely 2 verses containing 63 words, it doesn't take Einstein to figure out that you're 
going to be supplying some extra material. In other words, it was pretty much up to me, the storyteller, to decide about Jabez's personality, his life story, his theology, his relationships ... everything that makes him a fully realized character.


"The opposite of faith is not doubt--it's self-satisfaction."




So, I wrote the little novel, and it did pretty well ... admittedly, largely on the heels of Pastor Wilkinson's publishing phenomenon. But the folks referenced above who lauded said phenomenon--the handful of them who read my story--didn't take too kindly to my portrayal of the main character.

You see, I decided that my Jabez would be a person who had really experienced pain--a lot of it. He
would be a person who had heard things about the God of Abraham, Isaac, and Jacob, but only second- or third-hand (which, during the periods of religious apostasy spoken of in the Old Testament book of Judges, seems a likely scenario). He would be a person who came to the kind of faith needed to pray his famous prayer, but gradually, haltingly, and not without relapses into doubt such as even the most sincere believers still experience (see, for example, the painful, honest revelations in the diaries of Mother Teresa, published after her death).

I even got a copy of the book that was returned to the publisher after the purchaser had scrawled things on it: "Fake, like Hollywood!" "Coward!" "What a despicable way to make $$$ from Pastor Wilkinson's true book!" and the like. Apparently, this individual felt pretty strongly that I had profaned the Holy with my novel. I keep that copy on my shelf to remind me that not everyone will admire something I've written--even those few who actually notice it.

Be that as it may, I have elected not to tone down or change the narrative in my novel. I happen to believe that the opposite of faith is not doubt--it's self-satisfaction. So, look out, world: here comes Jabez--again.

Thursday, April 25, 2013

The e-Book Chronicles, Part V


Well, creating my Epub file using the converter at Lulu.com proved to be a bit of an adventure ... of the trial-and-error type. Fortunately, they provide a fairly thorough guide (click on the "download the guide" button) that does a decent job of walking you through the process.

The first thing you have to know about is using Microsoft Word styles, because that's how Lulu's conversion software knows where your book title, chapter titles, and any subheadings are. It uses them to build the .ncx file, which is the digital table of contents for your Epub file. Your book won't be accepted by any of the online retailers if it doesn't have a properly working .ncx file, so this is important information to have. Here again, the Lulu guide explains this pretty well, and even includes screen shots from your desktop--well, if you're using  a Windows machine, that is--to ease you through the process.

So far, so good. The next thing you've got to do is to take out all the extra hard returns that you probably put into your document in order to get the various title elements to show up on the page looking cute. Unfortunately, these elements are going to display differently to readers, depending on which device they're using to read your book. So, in the name of functionality, you may very well lose some of the "pretty" you worked so hard to put into your document. In the case of my novel, it wasn't too big an issue, since it's all text with very few overt design elements. I had to tinker with this a bit, taking Lulu's suggestion of using
line breaks (shift + enter) instead of hard returns to situate title elements on the page. Once I got the hang of that, I was able to mostly get things to show up where I intended.

Then, the cover art ... Fortunately, I was able to take advantage of the previous publisher's cool cover art and adapt it for my new e-book. I downloaded a nifty free graphic design program called Gimp and, after ascending partway on the learning curve, was able to pull elements from the original cover, add some new touches, and come up with something that is both functional and attractive, I think. It worked well enough that I was inspired to make a small donation to Gimp.

I do have to say that I found certain aspects of Lulu's conversion and publishing wizard to be non-intuitive. The hardest thing for me, for example, was convincing the wizard that I really and truly didn't want to use any of Lulu's prefab cover art, and that I really and truly did want to upload the cover image that I'd created myself, thankyouverymuch. But after some tinkering and a few imprecations muttered under my breath,
I was able to get the image uploaded successfully. Important note: If you generate your own cover art for an ebook, it needs to be at a 72 ppi (pixels per inch) resolution in order to display optimally on digital devices.

So ... there you have it! I've taken you through the process, pretty much start to finish. Except ...

... Oh yeah ... selling the thing. In other words, we're just now getting to the whole reason I did this in the first place. One of the things I like about Lulu is that they submit properly formatted titles to major online retailers. At this moment, they're in the process of submitting Jeremiah: He Who Wept to the iBookstore (Apple) and Nook (Barnes & Noble). Also, since I assigned my own ISBN to the book (see "The e-Book Chronicles, Part IV"), I'm planning to download my fully functional Epub file and submit it to the Kindle Store and Google Play Books.

But that is slightly in the future. For now, I'm pleased to have gotten this far and to actually have a working product for sale. Now, all I've got to do is persuade a few people to drop $2.99 for the download... Say ... could I interest you in a really cool new e-book?


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Thomsblog (a weblog) by Thom Lemmons is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License

Sunday, March 24, 2013

The e-Book Chronicles, Part IV

Today I made the financial commitment to a decision I've been weighing for awhile ... I bought my own ISBNs. Perhaps some of you might like a bit of explanation ...

The ISBN (International Standard Book Number) is a book's principal identifier in the marketplace; it has been characterized as a book's "social security number." This unique identifier allows any person or retailer, anywhere, to positively ID the book to which it is attached. Every book publisher in the United States has its own unique set of ISBNs, all of which start with the same prefix. This prefix is like the publisher's DNA, becoming a part of each book it publishes. So, if you're going to be a publisher and you plan to sell your book in the public marketplace--both on shelves and in the virtual retail space of the Internet--you need your own ISBNs for your books.

Now, I am well aware that online retailers like Lulu, Amazon.com, and others will provide self-published authors with a unique identifier for books sold on their platforms. However, these aren't the same thing as a unique ISBN. In fact, they aren't really ISBNs at all, since they don't identify the book outside the platform to which they are assigned. Not that this is necessarily a bad thing for everyone. If, for example, you want to self-publish your book and you're content with marketing it through a single channel like Amazon.com or Google Play Books (the latest name for Google's virtual bookstore), then allowing them to assign an internal identifier to your book might be a fine way to go. People will be able to find your book, purchase it, and download it to their devices. Everybody's happy.

However, if you want total control over how and where your book is sold, and if you want to be in control of your book's metadata (the critical information about price, title, author, publisher, format, and other details of your book that retailers and purchasers depend on to be able to find your book in the marketplace), then you really have to have your own ISBN. Since my day gig is working as a managing editor for an academic publishing house, I know the importance of maintaining control over your metadata. One of the catchphrases in the digital publishing world is, "Metadata is king." Although, I guess the grammatically correct form would be "Metadata are king." But I digress.

Thus, for me, the final tipping point was reached when I decided I wanted to do business as an actual publisher, rather than just having my name in the front of the book as author. In order to do that, your ISBN must match your publisher data, and the only way that can happen is if you own the ISBN with which the book is registered.

Of course, as you may have suspected, ISBNs--unlike the internally assigned identifiers provided by Amazon and Lulu--aren't free. There's only one place you can get them: from Bowker, Inc., the company that maintains the ISBN registry for the United States. A single ISBN is $100. However, since I plan to issue several of my older titles as e-books, I decided to buy a block of 10 ISBNs from Bowker for $250 (do you get the feeling that they discourage one-off purchases?). I'll say this for them, though: for a monopoly, they maintain a pretty user-friendly website. I got in, registered, paid, and had my block of ten ISBNs in less than ten minutes, start to finish. You can check them out for yourself at https://www.myidentifiers.com/Get-your-isbn-now.

So, bottom line ... the $250 I just parted ways with could be seen as a setback for my original low/no-cost objective for this self-publishing project. On the other hand, it could be viewed as a strategic concession to the greater objectives of maintaining more control over my book's metadata and having increased flexibility to market it on multiple platforms, thus increasing its visibility--the current buzzword is "discoverability"--in the marketplace.

But to make the type of professional impression with my book that I hope to make, I've got to tackle cover design and layout ... about which more in future posts ...


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Thomsblog (a weblog) by Thom Lemmons is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License

Thursday, March 07, 2013

The e-Book Chronicles, Part III

Success! I found a copy of He Who Wept with the newer cover!




Of course, I realize that just having this image is a long way from having a professional-looking cover for the e-book, but at least I now have this as a design option. Editing and OCR-correcting the main text proceeds, amid the many distractions of life and work (see "The e-Book Chronicles, Part II").



One thing I've learned: If I intend to do many more e-book conversions from scanned hard copy, I'm going to need a much better and faster scanner, and possibly some OCR software. But for now, it amuses me (in a slightly sick way) to do the hand-work of reading, correcting, and formatting. Sort of an artisan thing, I guess. Is there such a thing as an artisan e-book?











I've also been collecting information about pricing and design strategies. While the jury is still out on where e-book pricing is going to finally settle, things seem to be moving in the direction of generally lower pricing for e-books than their print editions--see, for example, http://www.digitalbookworld.com/2013/ebook-price-roller-coaster-ride-over/. So, for now at least, I think my intention to price He Who Wept at something like 2.99 or less is a good one.







Well, that's about all the news for now. Guess I'll edit, format, and correct another chapter of He Who Wept, and then maybe do some recreational reading ... imagine that!

Wednesday, October 05, 2011

The e-Book Chronicles, Part I



Sometime in the early 1990s, I swore I would be the last person on Earth to get a cellular phone. Bear in mind, this was when "handy" meant a bag phone roughly the size of the trade paperback edition of War and Peace, and you had to keep it plugged into the cigarette lighter of your car (most of the time).

Of course, we all know the end of the story; it's the same ending experienced by all the other technologically hesitant: I eventually got a cell phone and quickly realized I couldn't live without it. Ditto my laptop, my broadband Internet, etc., etc.

These days, I'm considering joining a support group for the iPhone-dependent. Clearly, I am not an Early Adopter, but I eventually cave. Most of us do.

But then came the rumblings preceding the digital book revolution. And here, friends, I dug in my heels. "A book is paper and glue and binding, with pages you can turn," I sniffed. "I want to smell the ink; I want to run my fingers along the spine. I don't want to boot up my book."


Last Christmas, my daughter and my wife ganged up and got me a NOOK Color. You can probably guess the rest.

Concurrent with my gradual immigration to the Digital Promised Land, content megasources like Amazon and others have been making it cheaper and cheaper to produce and publish e-books (and they've had a few nasty spats with Big Publishing along the way). If we know one thing about technology, it's that over time, it makes certain things cheaper. Thanks to Gutenberg and his intellectual heirs, you no longer have to be a feudal lord to be able to acquire a wide variety of reading material.


The process that required five centuries or so in printed books is happening with e-books in a couple of weeks, it seems. Now, you can download free programs that will convert your properly formatted word processing files into e-book files that can be sold online ... or forced on unsuspecting friends and family members, as the case may be (assuming they have e-readers, that is).

As an author with a few books that have come to the end of their life cycle in print, lately I've been thinking about ways to try and squeeze a little more income out of my currently fallow intellectual property. My notion is that I should be able to scan some of my out-of-print books (for which publishing rights have, by contract, reverted to me), do a little reformatting, and, by means of some free software, convert them to e-books that can be uploaded to Amazon's Kindle store, Lulu.com, and maybe, with a little luck and persistence, to other online stores like BarnesandNoble.com. Whether anyone will buy them ... well, that's another story.


So, this is the beginning of my foray into e-book self-publishing. If you want, you can come along for the ride. I'll document the process, including my frustrations, my successes, and how it all turns out. I'm pretty sure I'll learn something, if only how it shouldn't be done. But who knows? I may locate a vein of milk and honey. We'll see ...


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Thomsblog (a weblog) by Thom Lemmons is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

Saturday, October 10, 2009

"If Fame Comes at All"

I work at a large university, and my Internet home page at the office is a screen that has, among other things, a box listing interesting campus events: lectures, sports activities, performances, and so forth. I usually give it at least a cursory glance at various points during the day… Okay, I look at it more than I should, probably.

A listing from the other day caught my eye, and I haven’t quite been able to turn loose of it since. It was a single sentence, mentioning an upcoming presentation by a visiting professor of biblical literature. The title of his lecture was “Meneptah: The Pharaoh Who Mentioned Israel.” I regret to say that I neither attended the lecture nor actually read the referenced press release in its entirety.

But the headline got me to thinking and wondering about Pharaoh Meneptah—or Merenptah, or Merneptah, as he is variously known. Turns out that this pharaoh is the only one who actually mentions the land of Israel in the carvings and monuments created during his reign. Rather a minor mention at that, the inscription is on one of the four large commemorative stelae the pharaoh had erected to memorialize his decisive victory over an army of invaders composed of an alliance between Libyans and “Sea People”—possibly Minoans or proto-Philistines. The twelfth son of the long-lived Rameses II, Meneptah was already retirement age when he ascended the throne, but the aging monarch rallied the deteriorating Egyptian military machine sufficiently to prevent the invaders’ encroachment on Memphis. Perhaps this victory accounts for his name, which means “beloved of Ptah:” Ptah was the god of Memphis.

Apparently, Meneptah was not only successful at repelling the military threat from the west, but also in putting down a revolt in the Palestinian cities of Ashkelon, Gezer, and Yenoam. He also engaged in various feats of diplomacy.

What struck me was that of all the accomplishments for which Meneptah may have expected to be remembered by posterity, it turns out that he is perhaps most famous for mentioning a relatively minor military exploit in a territory on the periphery of his kingdom. I seriously doubt whether the pharaoh, as he was ordering the carving and erection of his commemorative stelae, would have imagined in his wildest dreams that three millennia later, scholars in a land completely unknown during his day would be referring to him as “The Pharaoh Who Mentioned Israel.” In fact, I can almost imagine the good pharaoh pausing in his voyage through the afterlife to look back and say, “After all the really important things I did… this is how they remember me?”

That causes me to wonder what unsuspected thing—if any—I might be remembered for. What minor act—by my own reckoning—have I performed that will turn out to be the most important thing I ever did?

Maybe Alexander Pope was onto something when he wrote, “Nor Fame I slight, nor for her favours call; She comes unlooked for if she comes at all.” That seems about right, doesn’t it? Perhaps Ecclesiastes 11:6 gives us another angle on the same idea: “Sow your seed in the morning, / and at evening let not your hands be idle, / for you do not know which will succeed, / whether this or that, / or whether both will do equally well.” St. Paul might have said it this way: “Whatever you do, work at it with all your heart…”

One thing seems certain: fame is a fickle mistress, and her sense of humor seems ironic, at best. Better to focus one’s allegiance elsewhere.

Monday, March 23, 2009

Lazarus on Easter

Here's a piece I wrote a number of years ago. In this Easter season, it seems appropriate to offer it for your consideration...

****************


The physicians say I haven't long to live. What matter is that to me? I, of all men, should not fear death, for I have met its Master.

The first time I saw him, Mary came dragging him in by the hand, demanding that Martha get him something to eat. I assumed he was the latest of her infatuations; she was forever falling in love with men who had the smell of exotic places in their clothing. It soon became apparent he did not fit that mold—his speech betrayed his Galilean upbringing, his hands bore the hard calluses of a tradesman.

I was drawn to him as a calf is drawn to its mother's side. I asked him where his home was, and he smiled wistfully—or was it painfully?—and said he had none to speak of. Despite his apparent poverty, I had an obscure sense I was in the presence of a great teacher, perhaps even a prophet. How little I knew.



He seemed to enjoy that visit with us, so I invited him to come again to Bethany. He came often, the next year or two. We all were eager for his return visits, but I think Mary was most so. She seemed to need his words, to long for conversation with him and his blessing. I saw my wayward sister transformed by this man. I had despaired of ever curing her of her profligate ways, and nearly resigned myself to seeing her die one day in the stone pit.
When she came to know Jesus of Nazareth, she became reflective. She learned to seek more than gratification of the flesh, to thirst for a higher good than earthly happiness. She loved much because she had been forgiven much. For this, if for no other reason, he won my appreciation.

But there was more. He was a man of wholeness, within and without. He is the only man I ever knew whose words and actions were the same. Indeed, the one gave strength and meaning to the other.

After I met the Nazarene I began to notice things about myself—a peevishness when my generosity went unnoticed; a resentment for the lack of appreciation I felt was due from my sisters. When he would come into the house, hot and dusty and blinking from the sunlight, I might offer him a cool drink of a special wine I had saved for the occasion.
His smile would be quick and honest, his face grateful as he quenched his road-thirst. I would wait, hoping to receive a
compliment on the wine, an inquiry on its origin, some praise for my thoughtfulness. But no—just a smile of thanks, and the uncomplicated enjoyment of slaking his thirst. And sometimes a tiny flicker of a smile from the corner of his eye—as though he knew, understood, forgave, and dismissed my petulance—while never diminishing his enjoyment of the cup.
He made me a friend… and I loved him.

When I became ill that time, my sisters wanted to send for him immediately. I told them not to worry—it was not the first time I had gotten sick and recovered. Perhaps they sensed what I did not. They told me later that I languished in a delirium for three days. Each day, one of them waited by the road, anxiously hoping for his appearance in the distance. But he never came.

All I can tell of the time between time is that I slept. A darkness beyond darkness enfolded me, and I slept. And then a voice was calling to me, a call I could not refuse. A fire kindled in my chest, slowly grew in intensity, spread to my fingers and toes, quickening my limbs and banishing the tentacles of cold that bound me. I saw a bright light and a familiar form silhouetted in its glow. The voice pierced the clinging mist about my head, penetrated my brain, infused my body with imperative strength.


I awoke in a hole in the side of a hill. A foul stench besmirched the air. I realized later that I must have been smelling my own death. I tottered out of the tomb, staggering under the weight of the bandages and the spices. As I limped blinking into the sunlight, a great shout went up. It seemed a thousand people stood on the hillside. But I heard only one voice—his voice, the voice that awakened me from the cold sleep. With tears still wet on his cheeks, he smiled, held out his hands to me, and began to unwrap the grave clothes.

He fell out of favor with the priests in Jerusalem. Perhaps he never was in favor with them, I do not know. Later, I heard they were seeking my life, along with his. After all, I was a walking endorsement of his power! I wonder if they intended to slay everyone who had been in Bethany that day, and had seen what happened. Perhaps so.

When they crucified him, my sisters wept bitterly, but I heard the echo of his voice, calling to my entombed soul, and I kept my own counsel. How could they think death would contain him? Yet, I had no power to lift aside the heavy sorrow that draped them. I suppose I was afraid of their grief—they seemed so certain. But on the third day, when Mary rushed in with her news, I was the only one in the room who did not doubt her sanity.

I have followed the Way all these years since. How could I do anything else? How could I, to whom He had once given life, refuse Him? I am His, despite anything Caiaphas, Pilate, Caesar, or Satan himself might do. Soon I shall be reunited with Him. Again I'll hear the call that awakened me and shall awaken all mankind.
Let death come. I do not fear it. I've known death before—and I have met its Master.

Wednesday, September 03, 2008

Book Review: PRACTICING THE PRESENCE OF PEOPLE, by Mike Mason


Practicing the Presence of People: How We Learn to Love
Mike Mason (WaterBrook, 1999)

I recently read this interesting little book because a guy asked me to. I’m glad he did.

Mike Mason evidences familiarity not only with the devotional classics (the similarity of his title to Brother Lawrence’s The Practice of the Presence of God is no coincidence, as Mason makes clear) but also with popular culture at its best—and worst. In this discerning, wise book, he chronicles his own journey from the tyranny of self-imposed spiritual isolation to the joy of authentic presence with the people he meets in everyday life. Along the way, he suggests some interesting and challenging notions that could revolutionize the way we think of the church and, indeed, the Christian faith.

Mason thinks that by learning to love people, we are learning to love God. To me, that sounds a lot like 1 John 4:20: “…anyone who does not love his brother, whom he has seen, cannot love God, whom he has not seen.” Reminds me of a quote I once heard: “I love humanity—it’s people I can’t stand.”

But Mason will have none of that. Even the wicked are not exempt from his loving gaze, though he recognizes that “being present” with someone who is, say, a racist, will look quite different from “being present” with a child, a family member, or a close spiritual friend.

Practicing the Presence of People is divided into short chapters (over 50 of them) that lend themselves, by the author’s design, to quick reading, then prolonged contemplation. Not a bad way to spend a rainy afternoon. In fact, the only thing better, Mason would probably advise, is going somewhere to be around people… so you can practice.

Wednesday, August 06, 2008

Book Review: MARK TWAIN: A LIFE, by Ron Powers


In the interest of full disclosure, I need to say at the outset that I'm a lifelong admirer of the subject of this lively, witty biography. Born and raised in Missouri, Clemens' home state, I, like many country boys of my generation, dreamed of floating down the Mississippi on a raft. I even tried to build one; it sank, which was likely for the best. But I digress.

Ron Powers evidences great sympathy for his subject without coddling or sugar-coating the crusty curmudgeon with the wild white mane. His prose is appropriately tongue-in-cheek at times--as Twain would have wished, I think--and his research is scrupulously thorough without adopting the plodding pace that plagues so many scholarly biographies. He allows the reader to marvel at the Sage of Hannibal as he glitters in all his brilliance... and as he curdles in his own self-centered blindness.

Best of all, Powers illuminates to great advantage Mark Twain's pointed social satire and political commentary, uncovering what was, for me at least, the important and previously unknown record of Twain's scathing critiques of U.S. expansionism and colonialist exploitation in places like the Philippines during the late 19th and early 20th centuries. Steaming upriver against the popular currents of the day, Twain anticipates by decades--and, in some ways, lays the groundwork for--the rhetoric of dissent that would become prominent in the 1960s.
For Twain junkies like me, or for anyone interested in the rise of the uniquely American literary voice before and during the Gilded Age, MARK TWAIN: A LIFE is a better find than the loot stashed in Injun Joe's cave.